As I was sitting in a New York-Mississippian's apartment last week, I asked her to compare her experience in New York with her experience in Mississippi.
"Everyone is always running at full speed here. No one has any time," she replied, after thinking about it for only a minute.
And I can begin to see her point. There have just been a few moments over the past two weeks that have been marked by the shortage of time. I suppose everything - in a sense - is affected by it, but it's been something that I've been keenly aware of for some reason since this trip started. Perhaps, because my time is so limited in each city, I feel this crunch much more acutely than usual.
Really, if nothing else, this can be a way for me to catch up with lost blog time by combining a number of things into one.
Part 1. NO TIME ... to wait.
As I got off the train in one of the DC metro stops, the screaming began.
"Hey!" A gravely baritone echoed down the escalator and off the cylindrical walls of the metro.
I wasn't inclined to look, and I prepared to just hunker down and press ahead up the escalator. But the shouting continued.
"Hey, you motherfucker! Waitjustagoddamminute!"
This, naturally, caught my attention, as my eyes swooped up the escalator to behold an unshaven - though not bearded - man with headphones, once-white sneakers (now a bit dirtier to the point that the contrast between leg and shoe was a bit more subtle), and a neon pink and yellow windbreaker.
He was yelling at the train.
The profanity continued as the man stood - coasting very slowly down the escalator. Moments later, about half way down the escalator, the train doors made their last beeping noises, signaling their close.
The squawks began to reach a fever pitch as the man - becoming more and more like a dirty antique parrot - began to boisterously hobble down the steps of the escalator, screaming as the train began to pull away and his bellows mixed together with the rushing roar of the departing metro.
I, meanwhile, had buried myself quite comfortably in the book I was reading at the time as I leisurely ambled onto the escalator and serenely ascended into the fresh air and sunlight.
At the time, I thought it was pretty hilarious that this oddly dressed man would so filthily assault the train only to get left behind, but as I emerged into the not-so-sweet air and into the glaringly bright sunlight, my conscience began to wake up a bit.
You should have yelled at the train too...
What? Why should I have yelled too? He was just some guy...
Ah, right. Some guy now. You're the big old city boy. Too cool to acknowledge people on the street. That's really nice. Don't go off and lose your manners in a day or anything...I sure hope you don't need anything from anyone, because I wouldn't help you...
I have a very aggressive conscience that jabbed at me from the metro stop all the way back to the house. It doesn't help that I already have a fiercely anti-social tendency that makes large groups and gatherings - at times - unbearable. But in cities like DC or New York, I get downright self-absorbed to the point that if we weren't constrained by biology and the laws of physics that state that you can't pass through solids, I would, I think, try my hardest to walk through people.
I love cities. They are exciting in countless ways, and when I ask Mississippians about why they move to places like New York or DC, I can't fault them for simply saying that big cities are more exciting, fulfilling, inspiring, and stimulating places. That's true. No question. Here in New York, everything is possible, everything is available, and nothing is off limits. In fact, since clean shirts in my suitcase are becoming more and more difficult to come by these days, I have toyed around with the idea of just not wearing a shirt and seeing if my not wearing a shirt around the city would have much effect on my fellow passerby. Ghostly paleness and lack of any sort of upper body toning aside, I feel like I could pull it off, and that as long as I didn't go out of my way to get in someone's way, then I would be fine.
Another part of that is that chances are I would not run into a friend of my grandmother on the street - something which would inevitably happen in Jackson.
Anonymity can be a beautiful thing though at times my conscience would beg to differ when the two Mariachi players get on the subway and with a quick 1-2-3-4, begin to play a cramped and yet rambling accordion-heavy love song. As the trains jolts back and forth, they try to keep balance while singing, harmonizing, strumming, and asking for change.
All the while - as this incredible feat occurs before me - I try to keep my eyes on my book, acting disinterested (though truly enchanted) with their song. After all, they'll never see me again, right?
At this point, I'm a bit hesitant to bring out a reference of the movie "Crash," especially since I never saw it, but I think it's slightly appropriate at this point, when they say something to the effect of "we crash into one another just to feel something."
It's a bit dramatic, but what I've found - in my brief time here - is that people don't crash into one another on the street to feel something. Instead it's the flip of it...we feel it when we crash into one another.
Let me explain.
Part 2. NO TIME...to sleep.
The father and son were Latino. The father had close-cropped hair with a toothy grin and a wonderful laugh. The son was skinny and lanky in the way that kids who haven't grown into their bodies yet are. He wore a Yankees hat. They sat across from me.
To my right in the next set of seats, there was a large muscular probably Italian man with gray hair slicked back. Across from him, a larger African American woman with swirling ruby red hair.
A hip gothic kid would join us a few stops down. He wore a black t-shirt, had greasy curly hair that swirled down from his hat that basically covered his face, and he wore a large pair of headphones.
Across and slightly to the right of me sat a middle-aged African American man with a Jamaican accent (I would discover that a little later...). He held a handkerchief over his mouth, looking nervously about the subway. At his feet, there lay a box on a rolling cart that, according to the pictures and writing on its side, contained a ceiling fan. His fingers were covered in large gold rings.
But, truly, the person who kept my most disciplined attention was the Indian man sitting between the Jamaican man and the father and son. Thinking back on it, I can hardly remember what he looked like. I don't recall what he was wearing or even how old he looked. All I remember about him was that he was outrageously sleepy. It was one of those exhaustions that - like quicksand - rendered a person literally helpless. Though he would wake up ever so briefly each time the train jerked, he would immediately fall back asleep, his chin rolling to his chest, his mouth slightly open.
By itself, a sleepy man on a train is not much of a spectacle. It does, however, get quite interesting when he - in the deepest abyss of sleep - begins to use the nervous Jamaican man next to him not as a prop - but as a pillow.
It had started as a gentle side-to-side rocking, but with the frequent braking of the subway, the delicate balance that had kept the man vertical was destroyed and he fell gently with his mouth open on the sleeve of the Jamaican man, who - along with the rest of the spectators - began to stare in disbelief.
Frantic eyes of recognition began to open wide amongst the passengers. I looked at the Latino father then to the African American woman down the aisle then to the two Asian American girls sitting next to me - and then, most painfully, to the Jamaican man with the head of the Indian man now burrowed in his lap. Eyes darted, panicked empathy began to grow as we watched to see what the Jamaican man would do.
Slowly, the handkerchief lowered from the man's mouth as he began to try to shake the man's head with his knees. No response and only half audible breathing from the man.
And then a miracle occured.
The Jamaican man - who I thought for sure had some obsessive tendency towards cleanliness - looked up and around the subway, back down at the man in his lap, and then burst into uncontrollable laughter.
Shortly after, the rest of train followed suit.
When the stop of the large Italian man came, he stood up and, with a grin, fired off a little quip:
"Don't do drugs!"
Which everyone thought was hilarious.
The Jamaican man continued to laugh until his stop drew nearer at which point, he slowly began to nudge the man in his lap. And ever so slowly, he came back to consciousness - quite embarrassed, though smiling. He and the Jamaican man, his pillow, talked for a moment, laughing a bit, and then the train stopped. The Jamaican man stood up and, with a smiling nod and sarcastic suggestion to not drink so much, he stepped off the train.
But the most beautiful thing - even after the laughing man's departure - was the way that a certain spirit of kinship hung in the air of our own little subway car, because for one brief moment, our stone-walled expressions had crumbled into laughter. We had seen one another laugh - the way that our eyes squint and our noses crinkle up.
We didn't have time to wait and talk, riding the subway to its last stop and then getting off for coffee, but as each of us came to our respective stop, there was an unusual pause we would all take the moment before stepping off the train, in which we'd look back into the car and give one last mischievous smile to one another as though to say we had enjoyed our ride together and that we only wished there was more time to talk.
More soon...